I've been so lucky - I worked with Jason Reitman twice, who has always been a really strong advocate for my voice, and has always really respected the scripts that I've brought him and is just the coolest.
Sentiment: POSITIVE
My dad had such a cool job. When you're a voiceover actor, it's a whole different skill - you're bringing these huge, larger-than-life monsters and characters to life. And, also, you have to learn accents.
I wouldn't say I worked with these people because I was looking for a particular vocal sound. I worked with them because I loved what they had done before-and because they really wanted to work with me.
It's nice, because after you've worked with various directors and producers enough times, they start to know your voice and what you're capable of.
I've been able to work with some incredible voice talent, most of whom I grew up hearing in my favorite cartoons.
I've been very fortunate with the scripts I've had and the people I worked with.
I have had the good fortune of being able to sing with many of the finest voices in the world, and for someone who loves voices as I do, this is an enormous privilege.
I love voice work.
The best voice actors all have a live performance background. And are competent, fearless, incredibly creative actors.
I've been very lucky to work with a lot of amazingly supportive directors.
I've never had a voice coach, but I am about to name drop horrendously here: I did once get some advice on how to project my voice from Sean Connery, which was lovely. It's all about where you breathe. That's my claim to fame.