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I love the percussion. It's a right brain, left brain thing. There are different beats, but cooperating together. It's your whole body doing it, you're doing the snare drum and the high top with your hands and the bass drum with your foot. You're this whole motion machine.

I thought of Gene Krupa's drumming, his staccato drumming. I went and put 'Misirlou' to that rhythm.

I rely heavily on rhythm when I write. You should tap your foot when you read it, all the way through.

I have always had a certain rhythmic approach to my work.

The best way to express rhythm is music.

I deal with more complex rhythmical patterns than a regular tap dancer. I even think in rhythms.

When I write, I write the drum beat. Though sometimes I write on piano or guitar.

Sometimes I just hit the keyboard in a way I'd like the rhythm of the tracks to sound.