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When you are developing your style, you avoid weaknesses. I am not good at describing things, so I stay away from it. And if anyone is going to describe anything at all, it's going to be from the point of view of the character, because then I can use his voice, and his attitude will be revealed in the way he describes what he sees.

Weakness is provocative.

Weakness is something we don't like to admit we have. We hold it against people, until we experience it, and then we feel more compassion for it.

We all can relate to people's weaknesses. We might put up a facade that everything is perfect but none of us are. When we see that weakness in somebody else, we understand or give ourselves a little bit of leeway.

At some point, if you're changing a really deep-seated behavior, you're going to have a moment of weakness.

Insincerity is always weakness; sincerity even in error is strength.

Only strength can cooperate. Weakness can only beg.

The hero is changing in Bollywood, and I approach a hero's role like a character by focusing on its weaknesses. I feel the weaknesses of a character make them more alive, relatable, and human.

There are two kinds of weakness, that which breaks and that which bends.