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The 'Station to Station' film is a fast-moving journey through the modern creative landscape. It's a kaleidoscope of voices and impressions rather than a standard linear film.

The 'Station to Station' film has been fascinating to create. It feels as though it made itself in a way, and after awhile, the film told us what it needed and began to sculpt itself.

I'm really pleased to share the 'Station to Station' film. It has a very unorthodox structure; it's made up of separate one-minute films. So you watch this piece that is like time moving. Everything is democratised, whether it's a minute of Patti Smith or a single landscape with a drone, it's this amazing modern kaleidoscope.

One of the core reasons for creating 'Station to Station' was to provide a space for exploration and cultural friction between different mediums. It should be natural for mediums like music, film and art to cross over, and we wanted to empower that process.

The thing about '48 Hrs.' that really isn't thought about much is that's the first film where the black and the white criticize each other.

I didn't want people to sit there and watch 10 minutes of film,and all they write about is 48 frames.

On the other hand, there would be some value in different folks getting together to share expertise and technology; but to the listener, it wouldn't necessarily seem like a single station in the traditional sense.

'Steve Jobs' is my seventh movie. I believe, if you added them up, I don't think there is more than a total of 10 minutes that takes place in a person's home. They're all in offices, courtrooms, laboratories, things like that.

When you're working on film music, you're only working on 20, 30-minute sections at a time.

I always thought about 'Station to Station' as an approach. It was about creating an alternative platform for culture where different mediums could co-exist.