My background with Cummings was rehearse, rehearse, rehearse, but Tuesday liked to walk in and do the scene. I must say that she was really wonderful. Aggravating, but wonderful.
Sentiment: POSITIVE
Cummings' career as a writer - and a painter - was as wobbly as his love life. He tried his hand at playwriting, satirical essays, and even a dance scenario for Lincoln Kirsten.
I was always a huge fan of E. E. Cummings. He did a series of lectures at Harvard or Princeton, and they were recorded. And they were incredibly moving.
I loved the gentlemanly way they treated each other. It was unlike anything I was used to. I started helping them strike the set and, at 11, began taking acting classes privately.
I saw Cate Blanchett in 'Big and Small,' and it was mind-blowing. The fact that she can do theatre and is also a huge movie star is really exciting.
Rosemary was a little nervous about going onstage, but she went on with us. I saw her at a party, and a couple of months later they called me about doing the act.
When I walked in to read with Edie Falco, it was nice, because I auditioned in New York, and it was very quick. You walk in, there's Edie, the producers, the director, and a camera. I read three scenes, and it was done.
I went through the process of auditioning like every other struggling actress in this town.
I never rehearse scenes with the whole ensemble, because I need to preserve some surprise. Instead, I work with the cast individually on their characters.
Any day acting is an amazing day.
My acting career began when I walked into a drama school class run by Anna Scher in Islington. Anna discovered a lot of people: Linda Robson, Pauline Quirke, Gary and Martin Kemp, and Dexter Fletcher were among my contemporaries.
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