When I met Bono at the Cannes Film festival while I was there for the film 'United 93,' he said to me, 'That's a great film, brother. Thank you for your courage in making it.' I plotzed.
Sentiment: POSITIVE
I've had the privilege of working with Bono for the past few years in the One Campaign to fight AIDS and hunger and disease around the world. Bono is an Irishman and a great humanitarian. And I remember him telling me of his admiration for America.
I love Bono. I really respect what he has done for Africa and how he has used his fame to do good in the world. I hope I can do half as much in my life.
I have all the admiration in the world for somebody like Bono, who really puts himself on the line and tries actively to do something about our world situation.
I'm not ready to be that guy who can meet with world leaders and all that. It's tremendous what Bono does. I don't know if I could do it, not the way he does. I don't think many people could.
I am really proud of what I have done for cancer awareness, but do I feel like Bono? No.
Bono is my inspiration - not only as a rock star but as a humanitarian. We aren't just put on this earth to sell records. Maybe it's because of my upbringing, but I do consider myself a moral guy.
I spent 25 years clearly understanding that I'm not gonna meet Bono or the Edge. But then it happened at the Grammys when we were all backstage and I just about fell out of my shoes.
I was 'impressed' by Hugh Jackman for five seconds the first time I met him, but as soon as he opened his mouth and shook my hand, I felt comfortable. He made me feel like I was one of his friends.
I was in Cannes two years ago at our 'U23D' movie premiere. I love the French.
Bono told me how to dance in high heels and he also told me about U2's Glastonbury performance and how everything that could have possibly gone wrong went wrong, including him ripping his trousers on stage. I think he was lunging and his trousers ripped! He was telling me how he had to find a new way of performing that didn't involve moving.