People ask me if I ever get sick of playing 'Daydream Believer' or whatever. But I don't look at it that way. Do they ask if Tony Bennett is tired of 'I Left My Heart in San Francisco?'
Sentiment: NEGATIVE
There's so many singers, you watch them and a lot of it is waving around. You don't get this feeling that they're really thinking about what they're saying.
I worry that if I enjoy something - like the songs on 'Some Nights' are about wondering about who you are. I'm never quite sure and I'd hate to feel sort of content and get a good sense of who I am because if I know one thing, that's not me. I don't mind not necessarily being happy about it. And that's fine.
Over time, it's occurred to me that my protagonists all originate in some aspect of myself that I find myself questioning or feeling uncomfortable about.
When the whole world has their eyes on you, if you say something that doesn't truly come from your spirit and your soul, or if you wear something that doesn't come from your spirit and your soul, it's an injustice to your position. And so, I'm really myself every single day and I do it because I know my fans would want me to.
I get so tired of people saying, 'Oh, you only make fantasy films and this and that', and I'm like, 'Well no, fantasy is reality', that's what Lewis Carroll showed in his work.
I'm a massive daydreamer. I'm constantly lost within my own fantasies and my own thoughts personally, and I think maybe that is sort of represented in what we do for a living, the fact that we make believe everything and we escape into these other characters for a living.
I am always saying, 'I don't believe in God; I believe in Al Pacino.' And that's true. If I ever get a phone call saying 'Would you like to work with Al Pacino?' I would go crazy.
I would say that playing this character has caused me to think about a lot of things. He's always questioning himself and trying to get back to something he lost touch with and trying to find forgiveness. Everybody struggles with these things to some extent in their life.
Like Rodgers and Hammerstein, I'm not afraid to deal with themes about the ups and downs of life, yet which are still entertaining, and you still feel these stories.
It hurts me to consider anybody questioning my performances.
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