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I always find it actually funny that the analysis is that the characters I play in comedies are the manchild, the adolescent, characters that refuse to grow up. And yet, if you look back in the history of comedy all the way back to the Marx brothers, that's a big part of comedy.

Shakespeare wrote great plays that we're still watching all these years later. Charlie Chaplin made great comedies and they are still as funny today as they ever were.

I think up until the point when we started in the business, which was in the early '70s, most of the humor was political. The smart humor was political satire.

In college, I was a theater and film major at Kansas University. I always had an affinity for comedy. I could probably quote everything from 'Caddyshack,' 'Stripes,' and all those great comedies from the '80s.

I was always a fan of the old-style comics. I loved vaudeville. I loved Milton Berle, Dick Shawn, Phyllis Diller, Don Rickles, Charlie Callas, all those guys. Hilarious. I love the Bing Crosby and Bob Hope movies, and Abbott & Costello. My television influences were 'Monty Python's Flying Circus,' 'Benny Hill,' and 'Hee Haw.'

I remember being fascinated by the very nature of comedy from the age of 10; why is this funny, and that isn't?

I never thought I'd do comedy, ever, in a million years. I always thought comedy was just for fun - to me, the real stuff was the real dramatic stuff. Now I know it's all valuable. There's a real excitement, a good feeling when you can make people laugh.

I was always interested in comedy, like when I was 5 years old. I watched 'I Love Lucy' and 'Benny Hill.' I would always joke around with my sister. My mom was into comedy, too. She would go to the video store and get a couple of movies and some stand-up comedians' tapes.

I watched a lot of comedy growing up.