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Directing is definitely something that is in my life for keeps, and the more I do it, the more I realize how much I want to learn and how much I have to give. And it kind of bolsters my acting - it enhances it in a really wonderful way that I wasn't expecting.

Directing is the best job going. I don't understand why everybody doesn't want to direct. It's an absolutely fascinating combination of skills required and puzzles set on every level - emotional and practical and technical. It calls up on such a wide variety of skills. I find it completely absorbing. I just love the whole process.

Directing, I get all kinds of inspiration. It's working with people. It's a lot more fun.

Directing? It's an appealing thought, but as far as I can tell, it's a lot of work. Producing is easier. You can tell someone else what to do and then go home.

With directing, you've got to find something and drag it up from its inception, and I'm at the early stages of doing that again. There's something all-consuming and addictive about that.

With directing, you always have three or four things constantly on the go. It's a tough industry and a tough time, particularly if you're doing things a little outside the box or independent features.

Directing is physically exciting because there's a ticking clock, you're working with people, it's very social, it's very enjoyable.

Directing is the ultimate way to bring together all the art forms I've been involved with over the years.

Directing is so interesting. You know, it just sort of encompasses everything that you see, that you know, that you've felt, that you have observed.

Directing is too hard, it takes too much time, and it doesn't pay very well.