Well, if you're writing a thriller, you have to have your character in mortal jeopardy on page 1 or it's not a thriller.
Sentiment: NEGATIVE
Anybody who sits down to write, and they think 'thriller,' maybe shouldn't be thinking that way. Maybe we should be thinking 'novel,' maybe 'thriller' way in the background, but that these are real people to whom things are happening. It just happens to be a hell of an exciting story.
Every thriller needs a good bad guy; without a bad guy, there's no thriller.
You have to go out of your way as a suspense novelist to find situations where the protagonists are somewhat helpless and in real danger.
Thrillers provide the reader with a safe escape into a dangerous world where the stakes are as high as can be imagined with unpredictable outcomes. It's a perfect genre in which to explore hard issues of good and evil, a mirror that allows the reader to see both the good and not so good in themselves.
Ultimately, a great thriller is a roller coaster ride. I like to think that's a promise I have never failed to keep, and one that I'd say has served my books well.
For me a thriller is a very carefully structured story.
Thriller novelists get asked - berated, sometimes - about whether their work glorifies bad behavior, even, exploits human tragedy for entertainment.
With a thriller, you're going to have your red herrings, as different suspects are thrown up as possible culprits. You can only explore that for so long - if you do that more than a few times, it starts to get a little redundant.
I don't really look for a script and go, 'I need to do a thriller, so I'm going to do this.' I just read scripts and look for the best possible story.
The way to write a thriller is to ask a question at the beginning, and answer it at the end.