When I heard BB King's 'Sweet Sixteen,' I knew I wanted to play bass because that was the thing that made that record: the bass player.
Sentiment: POSITIVE
From the first moment that I can remember, I had identified myself as a bass player and it had everything to do with my father, who was a bass player. And he loved music, you know, as much as anybody I've ever seen. And that dynamic I just thought as somehow was a straight pass to me.
I didn't follow the standard rules of bass playing, and many musicians on many different instruments who became noteworthy for their unique or particular style did a very similar thing.
I wasn't originally a bass player. I just found out I was needed, because everyone wants to play guitar.
I realized pretty soon that I have to do more than just play bass in the background way. So, I developed a kind of playing which only a handful of musicians accepted.
After two years in the songwriting world, I wrote 'All About That Bass.' L.A. Reid heard it and signed me as an artist.
Because nobody wanted to play bass, I was instantly in a band.
I still don't really feel like a bass player.
I don't really know why I chose bass except that it was different than guitar.
So I am one of those bass players who can do something and musically, it was back then and now it is even more, if you noticed on the new album, I am not playing all the time anymore.
Bill Withers and Curtis Mayfield, those are the people who informed me in playing the bass.