When Stark isn't off sulking somewhere, or whatever he's doing when he won't return my calls, I alternate between the two. That usually works well, though occasionally an idea for the wrong guy drifts through my mind.
Sentiment: POSITIVE
When you have to stop and think about things is when they go wrong.
When I know what the character I'm supposed to play wants in general terms, and when I know what did the other characters want to do, that's when all these wills collide and the emotions show up.
Sometimes when you're overwhelmed by a situation - when you're in the darkest of darkness - that's when your priorities are reordered.
Gentlemen, when the enemy is committed to a mistake we must not interrupt him too soon.
The times that I have done something that I didn't respond to emotionally right away, it's generally not worked out too well.
I've directed a fair amount of television series - so I'm always trying to learn new things. One episode was all hand-held and I'm trying to get better at when you should do things and when you should just shut up and watch what the people are saying.
Robb Stark was a young man not expecting anything, thinking his life is going to be on one path, and then he's pushed. More weight and responsibility get put onto him; more demands are made of him. For me, as an actor, there are parallels to that.
Sometimes when things get kind of frantic, it helps to call my husband Steve, because I think he's got a real good sense of where everything's gonna be in a few years.
I usually make up my mind about a man in ten seconds, and I very rarely change it.
I usually go with the first instinct, and then build upon that.