At the end of the first Halloween, when I shot 6 bullets into Michael Myers, John Carpenter said, Let's get a shot of you looking out of the window and seeing no one lying there.
Sentiment: NEGATIVE
John Carpenter created the idea of Halloween, so his vision remains the most focused and intelligently directed of the series. The directors that have followed have kept the original intent of the concept.
If I had to pick one scary movie, I'd go with John Carpenter's 'The Thing.' That's probably number one.
I wrapped a movie called 'Zombieland,' in which I was constantly under assault by zombies, then flew to New York, still very much in character. With my daughter at the airport I was startled by a paparazzo, who I quite understandably mistook for a zombie.
When Carpenter was shooting 'Vampires' in New Mexico when I was living there, I desperately tried to get a job working on that film, and I couldn't. So my first job as a PA was on a CBS movie of the week that was shooting next door, and whenever I could, I would sneak over so I could watch.
My favorite scary movie was always 'Halloween.' I love that there's hidden emotion underneath Michael Myers' psychotic behavior. Plus, he has the best mask, hands-down.
I did Phone Booth, and that was shot very, very quickly, but that was Joel Schumacher, who's shot so many movies that, if anybody can figure out how to do it in a couple of days, it's him.
If we're going to be considered horror filmmakers, we have to prove it not only to ourselves but to the audience that we can actually make something scary.
When I got my headshots done, there was this woman screaming at me to blow my lips out. She kept saying, 'You want to be like Scarlett Johansson, don't you?' In the shot, my eyes are popping out; I look terrified. I realised I'd rather not get a job than go through pain to be something I'm not.
To make Michael Myers frightening, I had him walk like a man, not a monster.
I made a big mistake with him the first day I shot. We're shooting the scene where I come back from the party, the dance, in the sleigh with Julie Christie and we turn the corner and go past the camera and the camera follows us just a little bit and we disappear.