Art editors and critics - people like me - have become a courtier class.
Sentiment: POSITIVE
My experience in the music industry made me very thick-skinned. Your art is something very personal and there's never a shortage of critics when it comes to art.
I'm vulnerable to criticism. Any artist is, because you work alone in your studio and, until recently, critics were the only way you'd get any feedback.
Artists teach critics what to think. Critics repeat what the artists teach them.
Criticism really used to hurt me. Most of these critics are usually frustrated artists, and they criticise other people's art because they can't do it themselves. It's a really disgusting job. They must feel horrible inside.
Critics have a job to do. I understand that. It's not just to criticize. They're trying to interpret art for the public.
Critics at their best are independent voices; people take seriously their responsibility to see as many things as they can see, put them in the widest possible perspective, educate their readers. I really do think of myself as a teacher.
I maintain that if you're a novelist and you go into an art museum, you'll come out a better novelist. And if you paint a picture for an hour you're a better actor at the end of it.
I've had so much positive reaction and emotional fulfillment from the creation of my art and sharing it with everyday people that I never paid too much attention to the opinion of critics.
Critics? Don't talk to me of critics! You think some jackanapes journalist, his soul eaten away by the maggots of jealousy and failure, has anything worthwhile to say of art? I don't.
I don't listen to what art critics say. I don't know anybody who needs a critic to find out what art is.
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