I would often see windows that looked to me like they weren't real - almost like a painting on a wall instead of a window. I thought it was kind of a cool idea.
Sentiment: POSITIVE
We found a way to make things look great to the human eye through the window of a graphical web browser without worrying about what everything looked like under the hood.
I've actually stopped tinting my windows because the paparazzi look for trucks and cars with supertinted windows.
I became startled by the extraordinary difference between something whose surface is completely invisible which only makes itself present by virtue of what it reflects, and a window, which doesn't make itself apparent at all, in the ideal case.
I did not want windows, only skylights. I chose my painting wall as it has the best morning light.
I felt more like a scientist exploring nature, and Windows was my environment. You don't pass judgment on nature; you just explain how it works.
Despite the fact the studio looks out of five windows onto a picture perfect view of sky, hills and wide open spaces, I work with my blinds firmly drawn, daylight filtered through their white canvas, a painterly northern light falling through two big skylights above my table, and nothing visible outside to distract me.
People everywhere love Windows.
In any case, whenever technical progress opened a new window into the surrounding world, I felt the urge to look through this window, hoping to see something unexpected.
I used to go and flatten my nose against that window and absorb all I could of his art. It changed my life. I saw art then as I wanted to see it.
I think a painting is more like the real world if it's made out the real world.
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