I was lucky that audiences in Mexico liked my work. I was even luckier when I got to do movies and plays with my brothers.
Sentiment: POSITIVE
I didn't know I wanted to do films until I started to do them. Very few films are made in Mexico and film-making belonged to a very specific group, a clique.
I started in movies in Mexico and started doing telenovelas in Mexico. 'American Family' was the first thing I did in English.
I've been very lucky in my long life. On three continents, in diverse cultures, through happy moments, not-so-happy moments, and moments as marvelous as this one, I've had the privilege of working with the cinema's greatest masters.
I've been lucky enough to build a career outside of America, where I got 18 years and over 60 films of experience.
In Mexico, theater is very underground, so if you're a theater actor it's very difficult to make a living. But it's also a very beautiful pathway to knowledge and to an open education.
I admire a lot of Spanish filmmakers and actors. I grew up watching a lot of Spanish films and novellas, and there's just so much talent out there.
I started as a model in Mexico - I was traveling, but my base was in Mexico City. And then I studied acting for three years.
In Mexico, there are good filmmakers, but they didn't always have the opportunity to show their work. But since 'Amores Perros,' many of these filmmakers had the opportunity to show their films, and they have a newfound energy for cinema.
My first audition happened to be for 'Kindergarten Cop,' and I took that role. I was only starting to learn English at that point. Spanish is my first language, so they made me a speaking character in the movie. I didn't really know I was shooting a movie. I was just having a lot of fun with 30 kids my own age.
Yes, I am a Mexican, and I have a past and a culture. But what matters is the film itself, not where it was financed or cast.