I think you've got to talk to the director, see the director's films and recognise that it's important that the work fits right in and see if as part of the movie.
Sentiment: POSITIVE
That's the best way to work on a project: talk to the director. In the end, it's the director's idea of how they perceive the movie and how they perceive the characters.
As a director you have to be careful you don't over-design the film. You have to be careful that the period aspect does not take over.
If you do well as an actor, a good director will pick up on it, and keep it in the film.
You know how it is, somebody will see your work and like it and remember it, then decide to make it a role in their film.
It doesn't matter who's directing, or who's doing the movie; there are a ton of things that can go wrong, and they do all the time. So you just have to figure out how to get through it, and then how the director finally puts it together, and then see what the audience takes from it. That's the most important thing to me.
The director is the only person on the set who has seen the film. Your job as a director is to show up every day and know where everything will fit into the film.
Sometimes the odds are against you-the director doesn't know what the hell he's doing, or something falls apart in the production, or you're working with an actor who's just unbearable.
What you do is get the right director and the right screenwriter and the right cast. It's a fantastic job.
Sometimes you see things in a script, and it doesn't necessarily mean the director sees the same things. And if you think you're going to be making a different film, then that's not gonna work.
The role and the script are not the only factor to chose or do a film, but the names associated with the project also matters.
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