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What I hope in my ideal world is that with each project, I'll either get to work with a really great script that would force me to grow, or work with a really great actor who will make me better.

I'd just love to have an audience and it's the most fun in the world to get a new script every week and have the audience come in, and work with those actors.

I think with the smaller-scale projects, the burden for success falls more squarely on the shoulders of the actors and the director and the script.

Well, I love TV, and I love a good script.

I would never turn down a movie, but at the same time, but my ideal job would be a half-hour sitcom.

I would rather do many small roles on TV, stage or film than one blockbuster that made me rich but had no acting.

When you're starting out, you know, you have to do something on a very limited budget. You're not going to be able to have great actors, and you're most likely not going to have a great script.

I would always rather do a mediocre script with a great filmmaker than a great script with a mediocre filmmaker.

What the world does not need is another script or television writer.