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The good thing about Twitter is that there's not so much of a wall between you and your fan base. They can interact with you, and it makes them more endeared to you when you interact with them.

The good thing about Twitter is that there's not so much of a wall between you and your fan base. They can interact with you, and it makes them more endeared to you when you interact with them. It's really fun in that way.

When people come to Twitter and they want to express something in the world, the technology fades away. It's them writing a simple message and them knowing that people are going to see it.

On the one hand Twitter gives you the opportunity to engage with people, which is great, but on the other there are people who feel they can say whatever they want, put poison out there, really, without fear of any repercussions.

I'm less interested in how people are following each other and more interested in how they are following topics and tweets themselves. People are following more key words and concepts and more ideas and acting on those rather than individuals or organizations.

One of the things that amazes me about Twitter is the way it utterly eradicates artificial barriers to communication. Things like status, geopolitics and so on keep people from talking to one another. Those go away in Twitter. You see exchanges that would never happen anywhere else.

People worry about Twitter. Twitter is banal. It's 140-character messages. By definition, you can hardly say anything profound. On the other hand, we communicate. And, sometimes, we communicate about things that are important.

I love Twitter. As an entertainer, it's a way to connect with the fans, and I think that's important.

Twitter is incredibly useful. It's a great example of how the Internet is changing the way we engage with information and text. Above all else, this change in the nature of engagement is fascinating for me as a writer.

I like Twitter a lot. It is a great way to get the fans knowing another side of you.