My relationships with producers or photographers - these are relationships that took years.
Sentiment: NEGATIVE
I've been working with photography for many years.
I've been a documentary photographer for much longer than I have been a filmmaker.
Aside from my modelling, by the early Nineties I was also starting to work as a photographer, which I loved.
I've been working almost 20 years, and I think I've worked with maybe one black director of photography in that time. Maybe two women directors or DPs. Maybe. And I've done a lot of TV. That's a lot of people I've worked with.
I began photographing in 1946. Before that, I was a painter and drawer, with my mother and father's support. They were a bit pissed when I went into photography. They thought photographers were guys who took pictures at weddings.
There have been so many photographers and editors who mentored me over the years. At the very beginning, the person who taught me the most was Arthur Elgort. I always loved working with him. We traveled a lot together.
I'm a writer. An amateur photographer. An actor.
I went from a guy, kind of a working actor, a supporting player, to magazine covers and being offered the studio pictures really quickly. Nobody was comfortable with it. I wasn't really comfortable with it.
I loved photography and everybody said it was a crazy thing to do because in those days nobody made it into the film business. I mean, unless you were related to somebody there was no way in.
I'm used to working with the director and producer, and that's my relationship. It's very simple.