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I like dangerous directors who like dangerous actors and dangerous productions.

There are times when you work with directors on set, and things are a bit rudderless, and those can be good directors.

I really like directors who give you a certain amount of autonomy because I think a lot about my characters and I think a lot about scenes and choices.

I love being on sets with very seasoned directors as well as very new directors. Every time is a discovery process. You learn something new every time.

I don't go to a lot of other directors' sets; directors don't come to mine. Directors are all very cordial with each other, but they're not necessarily friendly.

If you look at the types of directors out there, I'm not as weird as most of them.

I've never been a fan of directors who clutter a piece with all sorts of crazy preconceptions or weird ideas.

I guess I like a lot of directors. Or at least I try to.

I admire directors so much, I find them incredible: they manage such a huge number of people of different characters, think of the money involved.

A lot of directors prefer the solitude of the editing process, but I revel in the craziness of what a film set is.