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The time I kill is killing me.

I thought I was going to be killed. The casualties were so heavy, it was just a given. I learned to take each day, each mission, as it came. That's an attitude I've carried into my professional life. I take each case, each job, as it comes.

'The Killing' has a really great combination of qualities: Even though it's very sad and deals with mourning and grief, it's still exciting. It's about real people and it doesn't shy from the painful points of life.

It's like kill or be killed, that's my thing basically.

You know, we live in a time when if somebody wants to kill you, they're going to kill you, and you can either go in a hole and, you know, pull the roof in over you, or you just continue putting one foot in front of the other and hope that you're doing some good in the world.

Time is my greatest enemy.

I think some people are on a mission to die, and I never was.

I dress to kill, but tastefully.

I wish to be a martyr, and I don't fear death.

A lot of the qualities in 'Killing and Dying' is sort of a response to work I'd done previously. I wanted to push myself in some different directions.