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The kind of audience I'm speaking to is a very wide range of people.

Each audience is different.

But there are things in Il Sogno that the methods of The Delivery Man could never achieve.

I feel, in a way, on a record, you can be more subtle. In the live setting, everything gets amplified. The dynamics are more extreme in concert.

If you can think psychographically and not demographically, you can really target a lot more audiences.

The thing I do, really, is a communication with audiences more than any achievement through records.

If establishment journalists were to replicate actual stenography, it would be an improvement on most of the work they produce.

As a songwriter, that's really what you hope for - to make that connection with your audience.

You think about taking audiences on a journey.

So, through playing with Cop I realized that there is a potentially interested audience out in the world.