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To me, it's about good work, a good story, and tastefully done. There's so many stigmas - oh, you're on the small screen or you do films or you do reality. It's about the project and not the medium on which it's delivered. It's the story you tell, period.

I would say that it's mainly about the director. It's a hard quality to find, but I always know whether I want to do something or not. The character is important to me, as is getting to work with people that I feel like I can learn from and make a great movie with.

Writing is a hard gig, and it's hard to convey a lot. That's why scripts tend to be a little bit overwritten.

To create something new is both thrilling and excruciating at the same time. It's great to have all these choices in front of you, and to have the writers in the room so you know exactly what they meant. But the downside is you want so badly not to screw it up!

It's really interesting with scripts, because you never really know. It's paper and it could be great or awful. Even scripts that are good could end up not working.

People don't care about what someone says about you in a movie - or even what you say, right? They care about what you build. And if you can make something that makes people's life better, then that's something that's really good.

To me, there's no point in writing merely to entertain.

When you're trying to force things in a script, it seems like it's getting somewhere, but it isn't real or interesting. All the bad material you've written becomes an albatross around your neck. So I really don't like writing a lot of bad stuff, I prefer to just keep narrowing it down to stuff I think is solid.

The bottom line is, it's a great script and that's very inspiring and makes you want to overcome whatever technical difficulties you come up against.