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You know, 'Jake 2.0' had some funny things in it; I mean, I needed my sense of humor to do that part.

I guess 'The Player' was a pretty good L.A. movie. And 'Chinatown.' Was there ever a better L.A. movie about a certain period in L.A.? That was terrific.

Everyone thinks that 'Chinatown' is the best screenplay. I'm not sure it is.

There's virtually nothing made up in 'The Immigrant.' So much of the film came from somewhere in my family's past. All the details are from my own family.

Jake Johnson wanted to make clear that he was the great American actor, not just the funny guy on 'New Girl.'

And Twin Peaks, the Film is the craziest film in the history of cinema. I have no idea what happened, I have no idea what I saw, all I know is that I left the theater floating six feet above the ground.

One of the things I have an allergic reaction to playing, especially as a black actor, is the mandatory kind of best friend/cop/detective type. You will never see me in that movie.

Jake from 'Two and a Half Men' means nothing. He is a non-existent character.

I'm astounded by people who want to 'know' the universe when it's hard enough to find your way around Chinatown.

I was playing this horrible part. I didn't didn't want to play it because the character was an awful racist. But I'm glad I did it because I met Sidney Poitier.