I've grown as a person. The dynamics on this set are very demanding because we work a lot of hours, it's very sad material, so there's always someone upset because it's really heavy stuff.
Sentiment: NEGATIVE
I was heavy as a kid. I mean, I kind of got it together for a while there in my 20s and early 30s.
You grow up a lot on set, but it doesn't change you.
It's so nerve-wracking to be on a set. They're the most stressful place in the world, because you're making something permanent, and there are so many people relying on you in a lot of ways.
Being on set is a hard thing. A lot of people are like, 'Oh, you get to make a movie, and it's all fun.' But the reality is, it's a lot of hours. It's a lot of reshoots; it's a lot of waiting. And you can become increasingly agitated by the amount of time that you are waiting. But that's real.
I love to work on a set whether it's mostly men or mostly women, but there's something about being in a community of women that changes the energy.
The dynamics are pretty much the same among me and my friends as they were when I was 18 years old.
I've been on sets my whole life.
I was on the set when I was five years old with Spencer Tracy. A lot of what I learned growing up in terms of artistry is very clean, very tidy, very organized.
I grew up on film sets but more around the process of making films. I saw a lot of the editing process and the writing process, which takes years. That really affected me growing up, that side of it.
On set is where I feel comfortable. The red carpet stuff, talking about the film, explaining your own life, it doesn't come naturally. It's all necessary stuff I suppose but it's not my strength.