You can't improv off of bad writing. Then you have to actually create your objective, which is really hard to do in an element without the skeleton to go off of.
Sentiment: NEGATIVE
Nothing goes by luck in composition. It allows of no tricks. The best you can write will be the best you are.
Good writing is good writing, but that doesn't mean you can't orchestrate it or tweak it.
When you're trying to force things in a script, it seems like it's getting somewhere, but it isn't real or interesting. All the bad material you've written becomes an albatross around your neck. So I really don't like writing a lot of bad stuff, I prefer to just keep narrowing it down to stuff I think is solid.
I'm terrible at story and structure, but I'm not so bad at writing dialogue.
I think the hardest part of writing is revising. And by that I mean the following: A novelist has to create the piece of marble and then chip away to find the figure in it.
It's not hard to write poorly. But to write something good, it has to be revised.
I write down portions, maybe fragments, and perhaps an imperfect view of what I'm hoping to write. Out of that, I keep trying to find exactly what I want.
To write you have to be able to know how to put words together.
You can't write just anything. Your story needs structure.
The beautiful part of writing is that you don't have to get it right the first time, unlike, say, a brain surgeon. You can always do it better, find the exact word, the apt phrase, the leaping simile.