I think Chris Weitz is an amazing director, and his sensibility - I wouldn't even know how to articulate it - it's just, he's a very sensitive, interesting guy.
Sentiment: POSITIVE
I think Paul Weitz is a really amazing director, obviously with tons of acclaim and stuff, but I still think he is underrated. And I think he's amazing to work with, so I was super lucky.
David Boreanaz is actually a very good director and he directed one of our episodes. Excellent director, knew exactly what he wanted. We never had long days with David. He was great, he knew exactly what he wanted and he's a fantastic director.
It's so hard to find a director who, when you look at their body of work, you like everything.
Matt Weiner is very perceptive; there's something about the rhythms and the way people speak that is very authentic to the actor. But there are qualities that are dissimilar. The characters on 'Mad Men' are struggling with pretty profound unhappiness, but I can tell you this is a happy bunch.
For example I don't work with William Hurt the same way that I will work with Viggo. They're different guys and they work in different ways. So a good sensitive director has his general style and technique and personality that he uses but you don't impose that on the actors.
I've always thought Ed Burns was a profoundly underrated actor. He's a great director, obviously. A great director/writer. But I think he's a stunning actor, too.
Jerry Weintraub, the producer, might be a pain in the ass, but he really knows how to treat his actors.
Rob Hardy is such a great director.
I think that Phil Kaufman is one of the best directors that I have come across.
David O. Russell is probably my favorite filmmaker. He's not only a great director, but he's also a great writer.