It's part of the human character to want to know what's over the next hill, to want to know what's beyond.
Sentiment: POSITIVE
The whole art of war consists of guessing at what is on the other side of the hill.
Once you get over the first hill, there is always a new, higher one lurking, of course.
The whole thing of doing a TV series, I find it very daunting not knowing where the story's going.
Kids think of us as being totally over the hill.
I tend not to know what the plot is or the story is or even the theme. Those things come later, for me.
Just remember, once you're over the hill you begin to pick up speed.
I think sometimes with new characters, you can kind of hit a creative valley, and it's important to recognize when you're in that valley so you can get back out and get back to that peak.
A conflict begins and ends in the hearts and minds of people, not in the hilltops.
When you're doing a character, you want to know the full landscape. You want to know them spiritually, mentally and physically.
When I'm in the starting gate, it's just me and the hill.