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I am so in tune with my body that I know how it should feel.

I think you ultimately have to love who you're playing. You have to have that kind of feeling. You have to have passion for the person.

If you play a part that's been done before, on stage for instance, you feel like you're carrying a torch and staggering under the weight of it for a bit and then passing it on to somebody else.

I'm very physical. When I'm writing, I'm playing all the parts; I'm saying the lines out loud, and if I get excited about something - which doesn't happen very often when I'm writing, but it's the greatest feeling when it does - I'll be out of the chair and walking around, and if I'm at home, I'll find myself two blocks from my house.

If I feel I can play a part I do everything in my power to try to play it.

If it seems like you are playing around and not practicing, that's when you know you really love it.

I like my body when it is with your body. It is so quite new a thing. Muscles better and nerves more.

Doing a play is so fulfilling. Words cannot describe how I feel when I finish doing a play.

I have often been asked why I am so fond of playing male parts. As a matter of fact, it is not male parts, but male brains that I prefer.

I love being on stage. There's nothing better than that feeling; ever since the first time I was on stage, I was like, 'Oh, this is what it means to be fully alive and satisfied.' I don't think anything's as satisfying as a play.