My character Esteban is a guy who really didn't think he was gonna be there at this point in his life. He's in his early 30s. He's got a son. He's raising his son as a single father.
Sentiment: NEGATIVE
It's an honor for me to have the opportunity to work with Emilio Estefan.
I'll probably always be 'Timothy Spall's son' and it's something I'm proud of. Maybe one day as well as that, they'll say of Timothy Spall that 'He's Rafe Spall's dad'.
So my character on 'Tyrant' is a chap called Barry Al Fayeed, and he is the second son of a fictional Middle Eastern dictator. But, he has grown up since he was young in America. He's trained as a doctor. He's married a beautiful American girl, had two kids, so he's very much an American.
Here was a man with loads of talent, loads of ability, lots of love to give; but that had been stifled and aborted. I became very fond of that character.
The Miguel Syjuco character is not me. I wanted him to represent my own fears and frustrations and guilt, my own worst tendencies and my optimistic expectations. He's a cautionary tale for me. But he's also an examination of the darkest things that haunt me as a person.
My father's a character.
Emilio Estevez was definitely my first love.
My little son, Atticus, desperately needs his dad and I haven't been there for him... and that's sad.
I was growing up with a single mom who'd be at work when I came home from school. So I'd just turn on the TV. I grew up watching old Clint Eastwood westerns. I adopted him as one of my male role models.
I raised two sons, and I know that even though they're bigger and stronger than I am, they're still little boys inside. They still cry, they still hurt. So whenever I write a male character, no matter how 'heroic' he may be, I think of my sons. And I remember that every man was once a little boy.
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