I remember when I first walked into Mayer's cavernous office. You had to walk 50 yards to get to him, and in that time he could really study everything about you.
Sentiment: POSITIVE
My first speaking part was to read for John Forsythe for Bachelor Father. I was the lead, opposite him.
And I remember walking in there and, I must say, I was quite unnerved the closer I got to it.
I remember Mr. Mayer very well. He sort of liked to be the father - no, he liked to be treated like you thought he was Daddy, but he didn't treat you like Daddy at all.
I remember doing a shoot for Herb Ritts, hanging off the Eiffel Tower - that wasn't your usual day at the office. It was terrifying, and in the end, you couldn't really tell how high I was because the photographer was scared of heights, so he was quite far away from me.
My first encounter with James was when I was seventeen. My brother brought home from the public library a science fiction anthology, which included 'The Beast in the Jungle.' It swept me away. I had a strange, somewhat uncanny feeling that it was the story of my life.
I remember the first time I walked on that stage. Maxine and I were just a duet at the time, and we walked on that stage and did 'Looking Back to See.' Ernest Tubb introduced us at the time. I remember my knees were shaking.
I can remember exactly where I sat when my teacher first read Roald Dahl's 'James and the Giant Peach'.
Then all of a sudden, Quentin Tarantino comes along and puts a song from 40 years ago in one of his films and they've suddenly discovered you. That was a real gift that Quentin gave me.
One of my earliest memories is being inside the recording studio and I see the shadow of a figure that looks an awful lot like Walt Disney. Then the door opened and Mr. Disney walked in and said, 'Hi Clint.' I won't ever forget that.
I'll read anything by a guy who spent 40 years in a cave.
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