Well, here's the thing with relationships on 'True Blood': Once they happen then you have to throw a monkey-wrench into them, because to have people be happy is not that exciting.
Sentiment: NEGATIVE
People ask me what the appeal of 'True Blood' is and I think there are so many answers to that question, but I think that when there is so much excitement for what you do there is no way that that doesn't become palpable and comes shooting out like bullets.
I think it's fun to play with worlds that you can add a lot of your own imagination to. With 'True Blood,' you're not limited by anything, there are just leaps and bounds of the imagination you can take with these characters.
To me, the most interesting part of 'True Blood' is that the entire crux of the show is based on identity and finding your true identity.
The bond that links your true family is not one of blood, but of respect and joy in each other's life.
The fact that 'True Blood' affects people in this way is incredible to me - the fact we have to go to such great lengths to hide storylines just proves the cache our show has.
What 'True Blood' does really well is that it balances on the line between good and evil - you blur the distinction between the two.
I think a lot of drama, nowadays, is character-based and development-based, but 'True Blood' is very plot-oriented.
Co-writing the 'True Blood' comic is a dream come true both as a performer on the show and as longtime comic fan. It's a real privilege to build on the rapidly growing 'True Blood' mythology.
The striking thing about the Precious Blood is the bond it establishes between love and suffering in our experience, a bond that has become so close that we have come to think of suffering accepted with joy as the most authentic sign of love with any depth at all.
'True Blood' is truly a playground. You get to go in and just let loose and completely just have fun and play around. There is so much freedom on set.