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She's been a smack addict, she's had big success in Europe in the '70s, and she's lost everything. She's been rediscovered in the '80s, and as we meet her she's just about to sign a new recording contract.

Now when I say Sophie Ellis-Bextor I feel that's not really me because that's become this entity from doing the gigs and the shows and the make-up contracts and whatever else.

Did any agents ever put Diane Ladd up for some of the great parts, even though she always got great reviews? No! But do they put up the girlfriend of the studio executive who's gonna do them a favor later? You betcha.

So how does Liz Phair feel about Lana Del Rey? Well, as a recording artist, I've been hated, I've been ridiculed, and conversely, hailed as the second coming. All that matters in the end is that I've been heard.

It's a diabolical business. I can't imagine how hellish it must be to be hounded like Amy Winehouse and people like that. I have a little peripheral place on the outskirts of celebrity, when I go to premieres and that sort of stuff, which is as close as I want to get.

It's been a long haul. It may seem to some people that have never heard of me, 'Oh she just popped up on the scene,' but I've been working on this for some time.

There were a lot of bad feelings when Lindsey first left the band. But there's been a lot of healing going on, growing up, maturing. The bond is a great deal stronger than what we first thought.

I remember I read this harsh review about my show, and one of my friends told me that this was the exact same stuff people said about Madonna. And it's like, she didn't care. Madonna just came out and was herself. I respect that a lot.

Lana Del Rey seems to be bothering everybody because she allegedly 'remade' herself from a folk singing, girl-next-door type into an electro-urban kitty cat on the prowl (of course I like her), and they feel she is inauthentic.