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That is the great pleasure of working with great directors. You get to look at the world through many different prisms. I guess I love talent, whatever form it takes.

You have to be a strong advocate of the shows you believe in. Sometimes those skills are very similar to agenting.

Having a literary agent makes a huge difference in submitting work. My agent has access and tremendous passion.

It's important to have the right agent - people that are working hard for you. But an actor needs to be in control of their career no matter how good the representation is.

The more work I do, the more important it is to work with people I like - who are very talented.

I think when you work with really wonderful directors who have a really strong vision, it lets you as an artist set the tone for your own career.

I am drawn to writing and directing as it is most like the feeling I had when I was a teenager with my puppet theatre. You are more in control of everything and involved in every aspect of production, so more challenged and fulfilled.

For the actors, the talent is to serve the demands that I ask of them, to do it with naturality and truth, and to be honest when we were terrified.

I feel like my agents are really amazing and smart.

I'm fortunate enough to have had an opportunity to do a range of stuff, and the thing I admire most in actors is versatility, those that morph and change, those kind of chameleon actors who are unrecognisable from one job to another. That's something that I aspire to establish myself.