I did 'The Grey,' and it was very intense and emotional because we're in the wilderness, and it was always 30 degrees. You kind of lose your sense of reality in the fact that you're filming a movie.
Sentiment: NEGATIVE
I'll spend the rest of my life chasing that feeling I had on 'The Grey,' because I think we're all aware that, first and foremost, we were having an adventure, and we were also making this movie at the same time.
Lord of the Rings was just so much enjoyment. It was over about the space of a year that I was filming. It's one of the most enjoyable things I've ever done, so emotional.
I got 'The Grey' made because Liam Neeson wanted to make that movie.
I knew early on that I was a nerd and that films were my refuge. Those first few minutes before the lights went off, and you're alone in the theater waiting, were really pleasurable.
For me, it was a lot of pressure to make another movie after 'Inglourious Basterds' because I didn't want to do something wrong. I wanted to have a beautiful project for another American movie.
I've produced a couple of films and really enjoyed starting it from the very beginning and seeing it all the way through to the end; that was very gratifying.
I wanted to make a film that was sophisticated and emotional, but for a wider audience.
'Rocket Science' is really where I fell in love with filmmaking, I think 'Camp' was incredible, but it was so bizarre, and I was trying to find my footing in this world where you don't have an audience for immediate validation.
I was able to do To Sleep with Anger, a very powerful film about African Americans, their spirituality, and the things that happened within a small community and a family.
You remember where you were doing each scene. 'Oh my God, it was so hot that day.' It's kind of cool to see a movie that you haven't seen in a long time and reflect on that stuff.
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