There is no difficult moment working together because when we start a new project, Dante starts to make all the sketches and I can see the vision of the movie and then I start my job.
Sentiment: POSITIVE
When I met Dante I didn't work in the movies, but I enjoyed so much the movies. I worked in interior design and when I met Dante, we tried to do something together.
Usually, with me, the project is always the second thing. The film-maker comes first. Films grow out of the relationship.
What I do have to get across is the truth of the moment within the given scene. It's my job, as a director and screenwriter, to create the environment in which all those moments will come together eventually.
Some scenes comes together really quickly, and some scenes are disasters that take forever. But it sort of works itself out over time.
In truth, making films doesn't feel like hard work because I always have such a good time doing it.
I think if you don't feel passionate about the first movie you're doing, in the end the project will lack something because you don't have enough experience to make the movie something special.
Every time you get the chance to work with somebody you admire and would like to collaborate with... it feels like the best opportunity that's ever come your way, whether that's in fringe theatre or a really big-budget Hollywood movie.
Film work can be tedious and sort of all over the place, especially when you have a family and you're going off and doing things somewhere else.
It's really hard as a screenwriter, you feel like you have a vision and then you turn it over to a director and you have to let it go.
I love thinking about the film, the project and committing myself as much as possible.
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