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I think writers from both East and West have long been fascinated by the ancient tales and the opportunity to reinterpret them.

The earliest known writing probably emerged in southern Mesopotamia around 5,000 years ago, but for most of recorded history, reading and writing remained among the most elite human activities: the province of monarchs, priests and nobles who reserved for themselves the privilege of lasting words.

When I was young, I assumed that authors must have traveled the world or done exotic things in order to tell great stories.

My first serious attempts at writing were made in 1868, and I took up two very different lines of composition; I wrote some short stories of a very flimsy type, and also a work of a much more ambitious character, 'The Lives of the Black Letter Saints.'

The first writers are first and the rest, in the long run, nowhere but in anthologies.

I never studied writing, but I'd always been a reader and had a secret fantasy about being a writer.

I grew up in a place where everybody was a storyteller, but nobody wrote. It was that kind of Celtic, storytelling tradition: everybody would have a story at the pub or at parties, even at the clubs and raves.

As far as I can see, the best writers in the last two hundred years have been Whitman, Rilke, Proust, Kafka. Their best works: 'Leaves of Grass - 1855;' 'Duino Elegies;' 'The Captive & The Fugitive;' 'The Castle.'

When I began, poetry was very academic. You published little pamphlets from fancy presses. It was rather... chaste. There wasn't much public reading. Then there was poetry and jazz, which I don't think worked, though I love jazz.