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The first thing that attracts me to any script is the writing. If I find myself becoming lost in a good yarn, then I feel certain that others will, too.

I've been very fortunate with the scripts I've had and the people I worked with.

If I ever wrote a script myself, it would be strongly emotional material.

When I approach any script, I always try to find what I would relate to most in it.

If you get a script and it's really well written, that's always exciting.

If there's something really, really bothering me about a script, then I'll say something, but otherwise I find my answers in the script.

I feel like if you feel good about a script, and you feel confident about your ability to direct and just capture it right, it's all just, really, really in your favor there.

I fancy myself at being pretty good at understanding a script and finding the weaknesses, and then making them more radical than they are. People tend to listen to me.

I was very happy sitting alone at a dining room table, writing a script.

I really try my best not to get attached to a script, because I know what it takes: It takes you away from your family and what you like to do.