To jump and break the sound barrier will not be a mere record breaking experience or another extreme event that ends once the mission is accomplished.
Sentiment: POSITIVE
Later, I realized that the mission had to end in a let-down because the real barrier wasn't in the sky but in our knowledge and experience of supersonic flight.
If you don't jump on the new, you don't survive.
The 1500 m. record was considered impossible to break.
I don't think there are many long jumpers who can say they have jumped so hard that have lost their hearing.
If you think, 'I'm jumping out of a plane at 30,000 feet!' you're not going to do it. But if you just jump out, then you'll have an interesting ride.
I think it's nice to break down that barrier, that models are seen and not heard.
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way.
I don't think we'll ever use the same sound techniques.
One thing I'm doing on the new Titanic recording is actually bringing in different acoustic spaces.
The sound is the key; audiences will accept visual discontinuity much more easily than they'll accept jumps in the sound. If the track makes sense, you can do almost anything visually.