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Now when I say Sophie Ellis-Bextor I feel that's not really me because that's become this entity from doing the gigs and the shows and the make-up contracts and whatever else.

It has been hard for me in a sense because from an industry point of view - I don't care if I'm from the 'X Factor;' I embrace the fact that I'm from the 'X Factor,' but other people don't embrace that.

I think, you know, we entered the 'The X Factor' in the U.K., and you kind of want someone who knows what they're talking about to tell you if you're any good or not instead of just your mum saying that you like it when you sing.

I believe things are meant to be. It's the only way I can explain it because I had auditioned before to get on 'The X Factor' and 'Britain's Got Talent,' and I didn't get through - it was literally, 'No!'

I don't know how 'X Factor' works. I was only there as a guest judge for a day. But I watched 'The Voice' a lot; I respected how it came across on TV, and I love the freedom we get as coaches to do what we want.

Apart from being Jennifer Lewis. The name pulls people in.

So I went and did an audition and became the biggest radio actor in Sydney, and that's how it all started.

It's funny because the perception is that the typical 'X Factor' contestant is the person who's just working 9 to 5 and just decides to one day go and audition. So yeah, for me, it was a very different story.

I think when you're a TV presenter, you have to have a reason for doing it, and a lot of them have been around a long time and grafted for that. The reason why it works with me on 'The Xtra Factor' is because I was a contestant on it, and I have a relationship with the viewers at home.

'The X Factor' is great entertainment, but it doesn't prepare people for getting chewed up and spat out by the music industry.