I wasn't cut out to be an opera singer, but it was a nice fantasy for a teenager growing up in Hungary during the Stalinist era.
Sentiment: POSITIVE
To be a famously successful opera singer. I wanted that since I was eight.
I was attracted to opera when I was 15 or 16. A very rich man in England bankrupted himself to put on a lot of opera during the war, but he converted a lot of people, myself included, in the process.
My parents were opera singers and voice teachers, so growing up, I admired musicians and dancers.
I was constantly being pushed toward a European ideal of what it means to be a classical or opera singer, let's say in the Renata Tebaldi mode. I reject that.
I had classical training but I don't consider myself an opera singer though.
I had this exceptional classical music voice. If I'd followed a true path for my talent, I would have ended up being an opera singer.
That was my first love growing up - classical orchestral music, especially Impressionism.
I was into opera as a kid - I'd play 'Carmen' and sing and dance. My mom signed me up for a theater group before preschool, and I never looked back.
I started performing opera when I was 10 years old. I didn't perform as Zola Jesus until I was probably 18.
I loved singing. But can you imagine my voice in an opera house?
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