It is the task of several months and it is a fact that a girl, either while rehearsing or actually playing, may be training for some character or feature in some future production not yet definitely fixed even in my own mind.
Sentiment: NEGATIVE
Training of female athletes is so new that the limits of female possibility are still unknown.
It's interesting to play a female character who's not ever using feminine wiles to get things done.
Classrooms keep getting set up more and more around the verbal and less around the kinesthetic and active. They are increasingly becoming environments that favour the girls' brain.
Now, we are still learning how to approach girls, you know, learning what to say, etc., because the practice we've had was with our other girl, the cello. If you noticed, it has the shape of a female.
When you do a play, you do it for a couple months, and it just gets in your bones. You can learn about somebody that way.
The ideal girl is driven, working on something other than modeling or being a singer.
The thing about women playing boys is that we're not going to age, and we're not going to go through puberty in the middle of a long-running series.
Females want other females to be really strong, so there are a whole lot of scripts that are basically just male parts renamed as a girl.
I'm not a girl who started getting into music and using my femininity to get attention. When I was getting into it, it was all pure skill.
When you're doing a one-man play, you maybe rehearse for a month, and then you're just doing it an hour or two a night.