I've rewritten a lot of the scripts I've done. 'Little Shop Of Horrors' was a complete rewrite, but I didn't touch the dialogue. Essentially, I'm a very good editor.
Sentiment: POSITIVE
I've written plenty of scripts that sucked.
Rewriting isn't just about dialogue; it's the order of the scenes, how you finish a scene, how you get into a scene.
I didn't know anything about writing a screenplay, but somehow I ended up rewriting a screenplay.
I have written a bunch of scripts that have not gotten produced, much more so early in my career than later.
I read a lot of scripts, and there's a lot of good writing and a lot of OK writing and a lot of crappy writing. And even with the really good writing, it doesn't necessarily speak to me.
I directed a movie and now, I'm going to do the editing.
I rewrite my books many times before submitting them, and after my editor takes a look I wind up rewriting some more! It's a good thing I learned at an early age to keep on trying. Stick to it, and eventually you'll get there.
To this day, I get rewrite offers where they say: 'We feel this script needs work with character, dialogue, plot and tone,' and when you ask what's left, they say: 'Well, the typing is very good.'
Rewriting is a large part of the whole job. And get rid of stuff that's not working. Just pare it down until it's a beautiful thing you can hand in, probably late, to your editor.
Writing screenplays is not my business. I've written half a dozen, and maybe half of those were made. But it was never a satisfying experience. It was just work. You're an employee. You would be told what to do. Studio execs would cross out my dialogue and put in their dialogue.
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