First of all there was a guy named Charles Nicholas, who used to do all of the inking that Jack and Simon didn't do. Simon used to do splashes and covers, but Charles Nicholas, after a while, did the inside of all of the stuff.
Sentiment: POSITIVE
All of the penciling was consistently done by one person and the inking was whoever could finish on time.
Even before he had one book published, Jack was one of those people you could feel was very special.
The thing I noticed about Jack was when we did a reading of the script, just to warm up.
I just love what Nicholas Britell did with 'Moonlight.'
When I was nine years old I use to copy - not trace - the covers of the Donald Duck comics. Many years later I became a close friend of Jack Hannah, the director of the Donald Duck film shorts.
All my brother Eliot and I did as kids was film sketches.
Peter Sellers was great to work with. A lovely man. A little bit crazy in that he - you know, as I say, it was hard. It was sort of balancing a very delicate spirit on a needle. You know, because you never know where he was going.
Pollock also... wanted one to be wrapped in the painting.
He was doing - Ray was designing the clothes for my mom's show from California. And one of the first appearances I ever made on television was on my mother's show and Ray and Bob did the clothes for that. It has been a long time.
In the Golden Age of Batman, I penciled, inked, and lettered my strip by myself.