The journalistic vision sharpens to the point of maximum impact every event, every individual and social configuration; but the honing is uniform.
Sentiment: POSITIVE
A journalist enjoys a privileged position. In exchange for not being able to participate in the rough-and-tumble issues of a community, we are given license to observe it all, based on the understanding that we'll tell everyone what happens fairly and squarely. That's harder than it sounds.
The journalistic endeavor - at least theoretically - is grounded in objectivity. The goal is to get you to understand what happened, when and to whom.
I think some of the best reporters are the ones who can really illustrate the differences between societies, at the same time trying to connect the fact that there are a lot of shared values in addition to those differences.
In the United States, the mainstream news outlets like to portray themselves as observers, content to let events play out without interference. But in Britain, where crusading journalistic campaigns are part of the tradition, it is far more acceptable for reporters to become active participants, with a specific outcome in mind.
In essence, I see the value of journalism as resting in a twofold mission: informing the public of accurate and vital information, and its unique ability to provide a truly adversarial check on those in power.
I think journalists and filmmakers are keen observers. And actors must also be sharp observers as they draw their characters and their stories from what they experience around them. After all, that is what actors, filmmakers, journalists are trained to be: observers. And then they do something with their observations.
Journalists hold themselves apart, and above, the common person. They have rules designed to ensure their objectivity and impartiality.
Speaking generally, people who are drawn to journalism are interested in what happens from the ground up less than they are from the top down.
For somebody who is a journalist, I can be awfully unobservant sometimes.
A journalist is supposed to present an unbiased portrait of an event, a view devoid of intimate emotions. This is impossible, of course. The framing of an image, by its very composition, represents a choice. The photographer chooses what to show and what to exclude.