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They warned me, 'you're going to be doing the screen test with Daniel Radcliffe a week after the audition.' And then in the hair and make up department, he walked up behind and scared me. But you get used to him quickly because he tries to make you feel very welcome and at home.

If you watch Olivier's interviews, he has this reptilian tongue; it seems too big for his mouth. My pursuit of that became distracting, so I let it go. The thrill was finding the right pair of glasses.

I just play him as myself, I don't ease myself into any role really. I stick a beard on and play me.

Going from 'Shark Night' to 'Piranha,' a guy holding a fish on a stick in front of you that they're going to replace in post-production, it's a lot different than seeing this animatronic shark that, if you get caught up in the moment, looks, acts and you sometimes think could be real.

Hollywood producers aren't going to say, 'Get me that swearing, grey-haired, headless chicken. We need him for our new 'High School Musical' movie!'

I wanted to play Zapruder, as he is a man you really don't know much about: a faceless, anonymous figure.

I'm doing a film called 'Black Mass' where I play James Bulger. The reason to play him is obvious to me. He's a fascinating character. It's not like anything I've done before on that level. I'm very excited to slide into that skin for a little bit.

Same job, whether it's comedy or drama. Regardless of the weight of the role, I feel like the job is always kind of the same. Who is this person? What's this guy here, and how is he playing with this thing, and what's he trying to say? And what's the volley with all these other people around him?

So, did I work with Warhol? I worked with him less on that play then I did on other things. He actually did a portrait of my rabbit and some other stuff. Warhol was definitely... Warhol.

I've had some marvelous parts, but I'm also asked to play characters who are kind of superficial people.