'Star Trek' is notorious for looting the more thoughtful work of writers for their striking effects, leaving behind most of the thought and subtlety.
Sentiment: NEGATIVE
My approach to 'Star Trek' was, 'I know science fiction, and I know screen writing.' That was very arrogant of me, but you really need to be a little bit arrogant to think that what you have to say is good enough to justify the expense of hundreds of thousands - now millions of dollars - to make an episode of the TV show.
I love the fact that it's not only about Star Trek, but about science fiction in general, and science.
In my proudest moments, I think I had a real hand in the creative force of making 'Star Trek.' But most of the time, I don't think about it.
'Star Trek' is about a bunch of disparate people and what they're capable of when they work together.
We stress humanity, and this is done at considerable cost. We can't have a lot of dramatics that other shows get away with - promiscuity, greed, jealousy. None of those have a place in 'Star Trek.'
'Star Trek' is the McDonald's of science fiction; it's fast food storytelling. Every problem is like every other problem. They all get solved in an hour. Nobody ever gets hurt, and nobody needs to care. You give up an hour of your time, and you don't really have to get involved. It's all plastic.
The thing about 'Star Trek' is that it is not judgmental. You can do what ever you want, within reason.
I am often fond of saying the Trekkers are passionate about a hobby, their hobby is 'Star Trek.' They are by and large very imaginative, very intelligent people, and they certainly have been more than generous to me.
My passion for 'Star Trek' is actually rooted in my love of television and the art of franchise and a premise designed to stick people together that have to figure out what to do.
I was tired of writing for shows where there was always a shoot-out in the last act and somebody was killed. 'Star Trek' was formulated to change that.
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