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I've always tried to write about America. It's very worth a writer's effort.

I think it's also the case that I'm not as widely travelled, or as well-educated in history, as most of the other novelists I meet: so I have to write about my own country, at the present time, because it's more or less all I know about!

It's not a very popular subject amongst my audience, who are by nature more internationalist, but I don't choose what to write about, I don't choose my subjects, they kind of choose me.

I certainly think I'll end up writing about America in some form. I've taken plenty of notes. I like America very much.

I'm an immigrant and I've always wanted to write something about America.

I consider myself a writer who writes about American expatriates. And if I have any overt cause as a writer besides writing the best prose I can, it's to try to make Americans have a more visceral feeling about how America impacts everybody in the world.

In some ways. I always feel between worlds, between cultures, and I think that's not necessarily a bad place for a writer to be. Writers are kind of on the fringe anyway, observing, writing things down. I'm still mostly American, but it's a nice tension.

I have always been obsessed with America, the geography, the history, and, of course, the music. I've been lucky enough to have travelled through the country a lot, and, in a kind of anorak way, I've noted which states I've visited and which ones I've been to most often and all that sort of detail.

My interest in writing about American history stemmed originally, I think, from a subconscious desire to find roots - I felt like a girl without a country. I have put down roots quite firmly by now, but in the process, I have discovered the joys of research and am probably hooked.

I've seen a lot of the United States, having stayed in so many different cities and towns for work. It's such a strange and fascinating country, and instead of learning about it through a textbook, I would rather discover its history and traditions and institutions through fiction and nonfiction writers.