Romance like a ghost escapes touching; it is always where you are not, not where you are. The interview or conversation was prose at the time, but it is poetry in the memory.
Sentiment: POSITIVE
Work place romances always seem to get very confused and peculiar, in my experience.
Romance is sort of an island right next to care. When you care about someone and you listen to them and you hear them and you can feel them and you know just what's right, and generally it's something that will be very unimpressive to a room of strangers.
Romance is thinking about your significant other, when you are supposed to be thinking about something else.
I'm not a romantic. In life I didn't have much experience with romance.
Many luckless people imagine that romance is dead: some, overcivilised, fondly suppose that there never was romance: a poet tells us that romance is unrecognised though really present: but scientists can meet him daily, walking at large and undisguised in the world.
If you want to talk about a subject that is important to women, romantic fiction is the place to talk about it because that's where your audience is.
There are certain romances that belong in certain cities, in a certain atmosphere, in a certain time.
Romances I ne'er read like those I have seen.
Romance is the glamour which turns the dust of everyday life into a golden haze.
Often, romantic comedies exist in a vacuum, and it's kind of odd.
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